Once scorned and celebrated, Tarot faced criticism and admiration alike. From being condemned as a dark tool to being hailed as a mysterious revelation, it endured persecution and adoration. Eliphas Levi, French writer, and the author of "Transcendental Magic," when asked which book he would take to prison, declared that it would’ve been a Tarot deck. In Tarot, he believed, lie all the keys to understanding the laws and principles of the universe, and within its cards, one finds stories unmatched by any writer's imagination.

Every time I lay out the Tarot cards, I am amazed by the accuracy of their symbolism. They serve as a starting point for profound discussions about all life’s aspects- beauty, limitations, fears, and anxieties inherent in our existence. These mysterious images inspire honest reflections, discoveries, and transformations.

In this workshop, I want to to share my knowledge and experience with you. Together we will explore the art of tarot reading with hands-on practice, decoding symbolical messages, and mastering tarot spreads. After this workshop, you will be know how to interpret tarot cards, use them as both the meditation or divination tool and learn what it takes to become fluent in Tarot symbolic language.  - Wiola

No prior tarot knowledge required.

The workshop includes:

11.00 to 14:00 - three hours of learning, practicing, and networking.

a new tarot deck for you to take home 

coffee, tea and snacks

A read and write together: weekend writing hours (October 4th, 11th and 18th, 12-16) plus a sharing evening (Monday, October 20th, 18:15-20:15)

Be in hyper-writing-focus on the three Saturdays and on Monday share your work-in-progress, read aloud, and get some feedback. You share a piece of writing and also share what kind of feedback you might be looking for, and you get: 

• An audience that is not your partner, roommate, siblings, or parents, - some fresh ears, who will listen, ears perked and hearts open 

• People who KNOW the vulnerability involved in this, they know the messy and the frustrations of work in progress who will give you some nudges and new ideas to explore!

• That vibe and space and the crowd that we’re often hungry for - where are the other writers in the neighborhood you might ask yourself? Maybe some of them will show up to this and you can meet them, who knows, it will be a fun surprise! 

It will be in English - All genres // all kinds of voices welcome! Multiple times published to never published to don’t care about being published - all welcome. This is for people who enjoy writing, who want to share, who are both willing to receive and provide encouragement, because we all need that these days. 

Come sit and write write write on a weekend morn (with all of the creative juices flowing), at a desk behind the bookshop alongside others who want to do the same. Tea/coffee will be provided. No facilitation here - just a desk, your writing, a friendly vibe with some sprinkles of chatter - and just dedicated time to write. No more excuses for me and you both. 

The ticket includes access to all four dates.

(the hope is to establish a little dynamic group that is keen on writing and sharing)

We have one free spot, please see below:

Nobody enjoys burnout.

It’s painful, upsetting, and massively disruptive to your life. Burnout is more than just the exhaustion of having too much work or the stress of having too many responsibilities. It usually features these things, but they are made all the worse by being colored by disappointment. The disappointment that your dream job, relationship, or activist project turned out, in reality, to be horribly exploitative labour, a repetition of the last one, or dogged by disorganisation and systemic resistance. But burnout is common, and some of us end up with it over and over again. So, it is worth asking, how did we get here? What promised pleasures draw us past the point of too much labour and personal investment with little or no reward? This time, we are going to talk about burnout as we experience it in a society of what Mark Fisher called Capitalist Realism. A society that tells us there is no alternative to neoliberal capitalism. And we are going to see what Deleuze’s theory of masochism, as an attempt to control and indefinitely postpone pleasure by implementing contracts with sadistic institutions, tells us about how capitalist realism exploits our vulnerabilities and desire for meaningful enjoyment to keep us too burnt out to challenge it.

Bring your own worries along, and a pen and pad, and together we’ll take a little step closer to figuring out what the fuck is going on?

The workshop will be facilitated by Macon Holt, a cultural theorist and writer and the founder of Aesthetic Theory.

(tickets include one refreshment)

Escribir puede ser una herramienta para afilar la mirada, la forma en la que vemos y pensamos la vida es solo nuestra y escribirla, sacarla de adentro hacia afuera mediante el papel, es una forma de afirmarla. 

Trabajamos en grupos a partir de los materiales de cada uno. 

Para cada encuentro hay una lectura que se comparte previamente y se comenta en clase, y una consigna para aquellos que necesiten un empujón para seguir escribiendo.  Creo en el taller de escritura como un espacio de concepción de los libros que me gustan. Un espacio abierto para avanzar de la mano y seguir, no tan solo.

La idea de este taller es encontrar la voz de cada uno, explorar algunos textos que nos inspiran a escribir y pensar la literatura, armar un espacio de contención para trabajar nuestros proyectos literarios y poder avanzar con ellos, realizar algunas consignas y afilar el ojo de la escritura juntos. Compartir literatura y armar una pequeña comunidad para pensarla durante los meses que siguen. 

Vamos a leer textos tanto teóricos como narrativos, aprender a leernos entre todos y pensar la literatura en conjunto, alimentándonos de poesía,  y compartiendo la intimidad de una lectura. 

Writing can be a tool to sharpen the way we see and think about life. Our perspective is uniquely ours, and writing it down—bringing it from the inside out onto paper—is a way of affirming it.

We work in groups, starting from each person’s own materials.
For every session, there’s a reading that is shared beforehand and discussed in class, plus a prompt for those who might need a little push to keep writing. 

I see the writing workshop as the place where the books I love begin to take shape.

The idea of the workshop is to find each one’s voice, to explore some texts that inspire us to write and to think about literature, to create a supportive space where we can work on our literary projects and move forward with them, to try out some prompts, and to sharpen our literary eye together.

We will read both theoretical and narrative texts, learn to read and reflect together, think about literature collectively, nourish ourselves with poetry, and share the intimacy of reading.

every Tuesday from 18:00

starts on Tuesday, September 2nd

price per month 800,-

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

“Kill yr idols
Sonic death
It's the end of the world
Your confusion is sex”

(Sonic Youth, Kill Yr Idols)

What do we talk about when we talk about indie? How the fuck did we go from teenagers recording tapes in their bedrooms to indie-sleaze aesthetics on high fashion runways? Should we leave Spotify, and if so, what’s the alternative? How did Instagram and social media twist the very idea of independent music?

This free introductory session will dive into all of this while launching DIY or DIE, a new reading & discussion club on indie music and its ambiguous role within (and against) capitalism. We’ll also outline the club’s structure and preview the books we’ll read together. Expect music, videos, and maybe some surprise guests along the way.

Full program pass: 400 kr (subscription optional after this free intro session)
The fee (after taxes) will be donated to pro-Palestine organizations.

(single sessions will be posted based on availability a few days before each event and will cost 150 kr)

Curated by Alessia Peca  — writer, poet, and independent cultural curator from Italy, passionate about music. Rooted in the Italian underground scene, after living in Paris for a year, she is now haunting Copenhagen.

A read and write together: weekend writing hours (October 4th, 11th and 18th, 12-16) plus a sharing evening (Monday, October 20th, 18:15-20:15)

Be in hyper-writing-focus on the three Saturdays and on Monday share your work-in-progress, read aloud, and get some feedback. You share a piece of writing and also share what kind of feedback you might be looking for, and you get: 

• An audience that is not your partner, roommate, siblings, or parents, - some fresh ears, who will listen, ears perked and hearts open 

• People who KNOW the vulnerability involved in this, they know the messy and the frustrations of work in progress who will give you some nudges and new ideas to explore!

• That vibe and space and the crowd that we’re often hungry for - where are the other writers in the neighborhood you might ask yourself? Maybe some of them will show up to this and you can meet them, who knows, it will be a fun surprise! 

It will be in English - All genres // all kinds of voices welcome! Multiple times published to never published to don’t care about being published - all welcome. This is for people who enjoy writing, who want to share, who are both willing to receive and provide encouragement, because we all need that these days. 

Come sit and write write write on a weekend morn (with all of the creative juices flowing), at a desk behind the bookshop alongside others who want to do the same. Tea/coffee will be provided. No facilitation here - just a desk, your writing, a friendly vibe with some sprinkles of chatter - and just dedicated time to write. No more excuses for me and you both. 

The ticket includes access to all four dates.

(the hope is to establish a little dynamic group that is keen on writing and sharing)

We have one free spot, please see below:

Nobody enjoys burnout.

It’s painful, upsetting, and massively disruptive to your life. Burnout is more than just the exhaustion of having too much work or the stress of having too many responsibilities. It usually features these things, but they are made all the worse by being colored by disappointment. The disappointment that your dream job, relationship, or activist project turned out, in reality, to be horribly exploitative labour, a repetition of the last one, or dogged by disorganisation and systemic resistance. But burnout is common, and some of us end up with it over and over again. So, it is worth asking, how did we get here? What promised pleasures draw us past the point of too much labour and personal investment with little or no reward? This time, we are going to talk about burnout as we experience it in a society of what Mark Fisher called Capitalist Realism. A society that tells us there is no alternative to neoliberal capitalism. And we are going to see what Deleuze’s theory of masochism, as an attempt to control and indefinitely postpone pleasure by implementing contracts with sadistic institutions, tells us about how capitalist realism exploits our vulnerabilities and desire for meaningful enjoyment to keep us too burnt out to challenge it.

Bring your own worries along, and a pen and pad, and together we’ll take a little step closer to figuring out what the fuck is going on?

The workshop will be facilitated by Macon Holt, a cultural theorist and writer and the founder of Aesthetic Theory.

(tickets include one refreshment)

Escribir puede ser una herramienta para afilar la mirada, la forma en la que vemos y pensamos la vida es solo nuestra y escribirla, sacarla de adentro hacia afuera mediante el papel, es una forma de afirmarla. 

Trabajamos en grupos a partir de los materiales de cada uno. 

Para cada encuentro hay una lectura que se comparte previamente y se comenta en clase, y una consigna para aquellos que necesiten un empujón para seguir escribiendo.  Creo en el taller de escritura como un espacio de concepción de los libros que me gustan. Un espacio abierto para avanzar de la mano y seguir, no tan solo.

La idea de este taller es encontrar la voz de cada uno, explorar algunos textos que nos inspiran a escribir y pensar la literatura, armar un espacio de contención para trabajar nuestros proyectos literarios y poder avanzar con ellos, realizar algunas consignas y afilar el ojo de la escritura juntos. Compartir literatura y armar una pequeña comunidad para pensarla durante los meses que siguen. 

Vamos a leer textos tanto teóricos como narrativos, aprender a leernos entre todos y pensar la literatura en conjunto, alimentándonos de poesía,  y compartiendo la intimidad de una lectura. 

Writing can be a tool to sharpen the way we see and think about life. Our perspective is uniquely ours, and writing it down—bringing it from the inside out onto paper—is a way of affirming it.

We work in groups, starting from each person’s own materials.
For every session, there’s a reading that is shared beforehand and discussed in class, plus a prompt for those who might need a little push to keep writing. 

I see the writing workshop as the place where the books I love begin to take shape.

The idea of the workshop is to find each one’s voice, to explore some texts that inspire us to write and to think about literature, to create a supportive space where we can work on our literary projects and move forward with them, to try out some prompts, and to sharpen our literary eye together.

We will read both theoretical and narrative texts, learn to read and reflect together, think about literature collectively, nourish ourselves with poetry, and share the intimacy of reading.

every Tuesday from 18:00

starts on Tuesday, September 2nd

price per month 800,-

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

A read and write together: weekend writing hours (October 4th, 11th and 18th, 12-16) plus a sharing evening (Monday, October 20th, 18:15-20:15)

Be in hyper-writing-focus on the three Saturdays and on Monday share your work-in-progress, read aloud, and get some feedback. You share a piece of writing and also share what kind of feedback you might be looking for, and you get: 

• An audience that is not your partner, roommate, siblings, or parents, - some fresh ears, who will listen, ears perked and hearts open 

• People who KNOW the vulnerability involved in this, they know the messy and the frustrations of work in progress who will give you some nudges and new ideas to explore!

• That vibe and space and the crowd that we’re often hungry for - where are the other writers in the neighborhood you might ask yourself? Maybe some of them will show up to this and you can meet them, who knows, it will be a fun surprise! 

It will be in English - All genres // all kinds of voices welcome! Multiple times published to never published to don’t care about being published - all welcome. This is for people who enjoy writing, who want to share, who are both willing to receive and provide encouragement, because we all need that these days. 

Come sit and write write write on a weekend morn (with all of the creative juices flowing), at a desk behind the bookshop alongside others who want to do the same. Tea/coffee will be provided. No facilitation here - just a desk, your writing, a friendly vibe with some sprinkles of chatter - and just dedicated time to write. No more excuses for me and you both. 

The ticket includes access to all four dates.

(the hope is to establish a little dynamic group that is keen on writing and sharing)

We have one free spot, please see below:

Bourgeois coldness refers to an affective strategy that offers an explanation for how self-preservation works. Bourgeois coldness is one of the most advanced affective and aesthetic forms of preserving the structure of the colonial status quo. It creates an affective shelter in the world, unencroached upon by the immediate consequences of its many catastrophes. It functions like air conditioning – a complex technology which reliably stabilises the climate until those inside consider it natural. Bourgeois spaces – institutional and affective – stay cool and pleasant. But outside it’s burning.

On the occasion of the book’s publication in English, the author Henrike Kohpeiß will be in conversation with Emma Sofie Brogaard to introduce the concept of Bourgeois Coldness – its theoretical foundations and affective meaning. Both will also discuss applications to contemporary political life in Germany, Denmark and beyond.

There will be room for questions from the audience and books for sale.

Fuss fee is 35,- and includes a refreshment // pre-order the book and get the fuss-fee deducted

Crafty, personal, and entangled with tradition, Fadhel’s research and own making share stories out of and surrounding the rural community of Risa—the former home of his great-grandfather. Here, a dialogical and productive patchwork unfolds, exploring tradition, evolution, and adaptation. This process—akin to queering—includes expected and unexpected entanglements of care and rooting.

Fadhel will share passages from his new book, The Last Basket Makers from Risa, that reflect its patchworked nature, touching on themes of craft, heritage, queerness, diaspora, and everything in between. The reading will leave room for a light-hearted and spontaneous exchange with the audience.

From a local tradition coming out of a small historical world, to a tradition involved in a vast queer-worlding of making, The Last Basket Makers from Risa refers to a lineage of artisans producing the enigmatic Hedared basket—from Lennart, the basket’s first ‘last maker’—to Lennart’s great-grandson, Fadhel Mourali. This is his report on an open-ended process of identifying and crafting the material of kinship.

‘Whilst I am vastly separated from the living conditions of my Swedish great-grandfather, growing up as a queer person with a mixed cultural heritage, in a working-class environment, the recurrent need to conform, find meaning and belonging has continued to colour my desire to make. Through my great-grandfather’s lived experience as an artisan, I have sought to decipher tradition in the context of my primary culture: the Swedish. Throughout this book, I have strived to explore its most dominant traits as it filters through a new type of lived experience: my own. Instead of the felt tensions betweenmy multiple cultures being put against each other, they could merge as part of this storytelling. As the outward manifestation of an ever-evolving, internal contemplation, craft continues to be the process through which I make sense of the world—a process that continuously seeks to reflect the creation of a space in which to exist and belong.’

– Fadhel Mourali

Fadhel Mourali is a London-based textile designer and handweaver. His woven work has been exhibited with the Textile Museum of Sweden, Swedish Craft Association and Rian Designmuseum. The Last Basket Makers from Risa is his first book, and its research has been shared at Form/Design Center, Nordiska Museet, Europe House Westminster and the Jan van Eyck Academie.

Profits from books sold during the event will be donated to Palestinagrupperna.

fuss fee is 25,- and includes a refreshment

Seeds - towards the future

'How do we decide what is worth saving?', asks Jessica J. Lee in 'Seed' (Dispersals, 2024), which weaves a personal story of moving between countries with a reflection on seed collecting and seed banks. Join us to read together Lee's brief essay and consider her questions.

Copies of the text will be provided; no need to read anything in advance - drop in to enjoy the thought-provoking intimate writing from this diasporic author and environmental historian.

Hosted by Ela and Ruxy

fuss fee 25 DKK

Escribir puede ser una herramienta para afilar la mirada, la forma en la que vemos y pensamos la vida es solo nuestra y escribirla, sacarla de adentro hacia afuera mediante el papel, es una forma de afirmarla. 

Trabajamos en grupos a partir de los materiales de cada uno. 

Para cada encuentro hay una lectura que se comparte previamente y se comenta en clase, y una consigna para aquellos que necesiten un empujón para seguir escribiendo.  Creo en el taller de escritura como un espacio de concepción de los libros que me gustan. Un espacio abierto para avanzar de la mano y seguir, no tan solo.

La idea de este taller es encontrar la voz de cada uno, explorar algunos textos que nos inspiran a escribir y pensar la literatura, armar un espacio de contención para trabajar nuestros proyectos literarios y poder avanzar con ellos, realizar algunas consignas y afilar el ojo de la escritura juntos. Compartir literatura y armar una pequeña comunidad para pensarla durante los meses que siguen. 

Vamos a leer textos tanto teóricos como narrativos, aprender a leernos entre todos y pensar la literatura en conjunto, alimentándonos de poesía,  y compartiendo la intimidad de una lectura. 

Writing can be a tool to sharpen the way we see and think about life. Our perspective is uniquely ours, and writing it down—bringing it from the inside out onto paper—is a way of affirming it.

We work in groups, starting from each person’s own materials.
For every session, there’s a reading that is shared beforehand and discussed in class, plus a prompt for those who might need a little push to keep writing. 

I see the writing workshop as the place where the books I love begin to take shape.

The idea of the workshop is to find each one’s voice, to explore some texts that inspire us to write and to think about literature, to create a supportive space where we can work on our literary projects and move forward with them, to try out some prompts, and to sharpen our literary eye together.

We will read both theoretical and narrative texts, learn to read and reflect together, think about literature collectively, nourish ourselves with poetry, and share the intimacy of reading.

every Tuesday from 18:00

starts on Tuesday, September 2nd

price per month 800,-

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

Join us for the monthly (!!) Riso intro workshop at SUPeR!

During this workshop, you'll dive into the basics of riso printing, learning everything from how the machine works to how to prepare files and separate layers. Whether you already have designs in mind or are still sketching ideas, feel free to bring your laptop, iPad, or sketch on paper. No prior experience is needed!

By the end of the workshop, you'll take home 5 copies of an A3 print with 2-3 colours.

To ensure everyone has enough time to set up and print. We'll host a maximum of 6 participants in each workshop.

The workshop runs for 4.5 hours, including a 0.5-hour break. We'll keep you fuelled with coffee, tea, and snacks :) 

This workshop will be taught in English.

----------

Cancellation Policy
We understand that plans can change!

• Cancel at least 48 hours before the event → you’ll get a full refund.

• Cancel 24–48 hours before the event → you’ll get a 50% refund.

• Cancel less than 24 hours before the event → refunds aren’t available.

For unforeseen situations — like if you suddenly feel unwell the day before — you have one chance to move your ticket to the next workshop instead of losing it.

If we ever need to cancel the event on our end, you’ll of course receive a full refund.

If you want to cancel or change your ticket, please write to us: info@theprinthouse.dk

Escribir puede ser una herramienta para afilar la mirada, la forma en la que vemos y pensamos la vida es solo nuestra y escribirla, sacarla de adentro hacia afuera mediante el papel, es una forma de afirmarla. 

Trabajamos en grupos a partir de los materiales de cada uno. 

Para cada encuentro hay una lectura que se comparte previamente y se comenta en clase, y una consigna para aquellos que necesiten un empujón para seguir escribiendo.  Creo en el taller de escritura como un espacio de concepción de los libros que me gustan. Un espacio abierto para avanzar de la mano y seguir, no tan solo.

La idea de este taller es encontrar la voz de cada uno, explorar algunos textos que nos inspiran a escribir y pensar la literatura, armar un espacio de contención para trabajar nuestros proyectos literarios y poder avanzar con ellos, realizar algunas consignas y afilar el ojo de la escritura juntos. Compartir literatura y armar una pequeña comunidad para pensarla durante los meses que siguen. 

Vamos a leer textos tanto teóricos como narrativos, aprender a leernos entre todos y pensar la literatura en conjunto, alimentándonos de poesía,  y compartiendo la intimidad de una lectura. 

Writing can be a tool to sharpen the way we see and think about life. Our perspective is uniquely ours, and writing it down—bringing it from the inside out onto paper—is a way of affirming it.

We work in groups, starting from each person’s own materials.
For every session, there’s a reading that is shared beforehand and discussed in class, plus a prompt for those who might need a little push to keep writing. 

I see the writing workshop as the place where the books I love begin to take shape.

The idea of the workshop is to find each one’s voice, to explore some texts that inspire us to write and to think about literature, to create a supportive space where we can work on our literary projects and move forward with them, to try out some prompts, and to sharpen our literary eye together.

We will read both theoretical and narrative texts, learn to read and reflect together, think about literature collectively, nourish ourselves with poetry, and share the intimacy of reading.

every Tuesday from 18:00

starts on Tuesday, September 2nd

price per month 800,-

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

A read and write together: weekend writing hours (September 6th, 13th and 20th, 12-16) plus a sharing evening (Monday, September 22nd, 18:30-20:30)

Be in hyper-writing-focus on Saturday and on Monday share work-in-progress, read aloud, and get some feedback. You share a piece of writing and also share what kind of feedback you might be looking for, and you get: 

• An audience that is not your partner, roommate, siblings, or parents, - some fresh ears, who will listen, ears perked and hearts open 

• People who KNOW the vulnerability involved in this, they know the messy and the frustrations of work in progress who will give you some nudges and new ideas to explore!

• That vibe and space and the crowd that we’re often hungry for - where are the other writers in the neighborhood you might ask yourself? Maybe some of them will show up to this and you can meet them, who knows, it will be a fun surprise! 

It will be in English - All genres // all kinds of voices welcome! Multiple times published to never published to don’t care about being published - all welcome. This is for people who enjoy writing, who want to share, who are both willing to receive and provide encouragement, because we all need that these days. 

Come sit and write write write on a weekend morn with all of the creative juices flowing at a desk behind the bookshop alongside others who want to do the same. Tea/coffee will be provided. No facilitation here - just a desk, your writing, a friendly vibe - and some focus time to write dammit! No more excuses for me and you both. 

The ticket includes access to all four dates.

(the hope is to establish a little dynamic group that is keen on writing and sharing)

A read and write together: weekend writing hours (September 6th, 13th and 20th, 12-16) plus a sharing evening (Monday, September 22nd, 18:30-20:30)

Be in hyper-writing-focus on Saturday and on Monday share work-in-progress, read aloud, and get some feedback. You share a piece of writing and also share what kind of feedback you might be looking for, and you get: 

• An audience that is not your partner, roommate, siblings, or parents, - some fresh ears, who will listen, ears perked and hearts open 

• People who KNOW the vulnerability involved in this, they know the messy and the frustrations of work in progress who will give you some nudges and new ideas to explore!

• That vibe and space and the crowd that we’re often hungry for - where are the other writers in the neighborhood you might ask yourself? Maybe some of them will show up to this and you can meet them, who knows, it will be a fun surprise! 

It will be in English - All genres // all kinds of voices welcome! Multiple times published to never published to don’t care about being published - all welcome. This is for people who enjoy writing, who want to share, who are both willing to receive and provide encouragement, because we all need that these days. 

Come sit and write write write on a weekend morn with all of the creative juices flowing at a desk behind the bookshop alongside others who want to do the same. Tea/coffee will be provided. No facilitation here - just a desk, your writing, a friendly vibe - and some focus time to write dammit! No more excuses for me and you both. 

The ticket includes access to all four dates.

(the hope is to establish a little dynamic group that is keen on writing and sharing)

We have one free spot, please see below:

It’s back, little baby! This time with the same special guest gracious host: Annatara!

Read into a whispery microphone, read a poem, a line from your diary, a dream, read that letter, your song lyrics or, better yet, sing them, read from your work-in-progress novel.

Real trap shit!

(the extra session sold out, so here’s the third and final)

So, you want to know what the fuck is going on? But do you really need to know? And why on earth would you want that? It can sometimes seem like the world is telling us to want the wrong things. Things we don’t need. And, at the same time, the world tells us that the things we want are wrong. Why would you want to live in a polyamorous, affordable eco-commune when you could live the nuclear family dream in a heavily mortgaged apartment? Why would you want a job that feels meaningful when you could have a job that is a bit evil but well paid? Why would you want to give your money to help starving children in Gaza when you could buy a labubu for your bag?

This time in WTFIGO, we are going to talk about why our wants and needs don’t seem to be being met in this world of ours by looking at two theories of desire: The psychoanalytic concept of desire as the result of an unfulfillable lack (ripe for consumerist exploitation), and Deleuze and Guattari’s idea that desire is a relentlessly productive force (that might spill into schizophrenia). With these, it should be a little easier for us to know what we need to do to figure out what the fuck is going on, and why we want to know.

Bring your own worries along, and a pen and pad, and together we’ll take a little step closer to figuring out what the fuck is going on?

The workshop will be facilitated by Macon Holt, a cultural theorist and writer and the founder of Aesthetic Theory.

₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎

Escribir puede ser una herramienta para afilar la mirada, la forma en la que vemos y pensamos la vida es solo nuestra y escribirla, sacarla de adentro hacia afuera mediante el papel, es una forma de afirmarla. 

Trabajamos en grupos a partir de los materiales de cada uno. 

Para cada encuentro hay una lectura que se comparte previamente y se comenta en clase, y una consigna para aquellos que necesiten un empujón para seguir escribiendo.  Creo en el taller de escritura como un espacio de concepción de los libros que me gustan. Un espacio abierto para avanzar de la mano y seguir, no tan solo.

La idea de este taller es encontrar la voz de cada uno, explorar algunos textos que nos inspiran a escribir y pensar la literatura, armar un espacio de contención para trabajar nuestros proyectos literarios y poder avanzar con ellos, realizar algunas consignas y afilar el ojo de la escritura juntos. Compartir literatura y armar una pequeña comunidad para pensarla durante los meses que siguen. 

Vamos a leer textos tanto teóricos como narrativos, aprender a leernos entre todos y pensar la literatura en conjunto, alimentándonos de poesía,  y compartiendo la intimidad de una lectura. 

Writing can be a tool to sharpen the way we see and think about life. Our perspective is uniquely ours, and writing it down—bringing it from the inside out onto paper—is a way of affirming it.

We work in groups, starting from each person’s own materials.
For every session, there’s a reading that is shared beforehand and discussed in class, plus a prompt for those who might need a little push to keep writing. 

I see the writing workshop as the place where the books I love begin to take shape.

The idea of the workshop is to find each one’s voice, to explore some texts that inspire us to write and to think about literature, to create a supportive space where we can work on our literary projects and move forward with them, to try out some prompts, and to sharpen our literary eye together.

We will read both theoretical and narrative texts, learn to read and reflect together, think about literature collectively, nourish ourselves with poetry, and share the intimacy of reading.

every Tuesday from 18:00

starts on Tuesday, September 2nd

price per month 800,-

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

A read and write together: weekend writing hours (September 6th, 13th and 20th, 12-16) plus a sharing evening (Monday, September 22nd, 18:30-20:30)

Be in hyper-writing-focus on Saturday and on Monday share work-in-progress, read aloud, and get some feedback. You share a piece of writing and also share what kind of feedback you might be looking for, and you get: 

• An audience that is not your partner, roommate, siblings, or parents, - some fresh ears, who will listen, ears perked and hearts open 

• People who KNOW the vulnerability involved in this, they know the messy and the frustrations of work in progress who will give you some nudges and new ideas to explore!

• That vibe and space and the crowd that we’re often hungry for - where are the other writers in the neighborhood you might ask yourself? Maybe some of them will show up to this and you can meet them, who knows, it will be a fun surprise! 

It will be in English - All genres // all kinds of voices welcome! Multiple times published to never published to don’t care about being published - all welcome. This is for people who enjoy writing, who want to share, who are both willing to receive and provide encouragement, because we all need that these days. 

Come sit and write write write on a weekend morn with all of the creative juices flowing at a desk behind the bookshop alongside others who want to do the same. Tea/coffee will be provided. No facilitation here - just a desk, your writing, a friendly vibe - and some focus time to write dammit! No more excuses for me and you both. 

The ticket includes access to all four dates.

(the hope is to establish a little dynamic group that is keen on writing and sharing)

We have one free spot, please see below:

(First two rounds got sold out fast, so there will be an third workshop on the 18th of September)

So, you want to know what the fuck is going on? But do you really need to know? And why on earth would you want that? It can sometimes seem like the world is telling us to want the wrong things. Things we don’t need. And, at the same time, the world tells us that the things we want are wrong. Why would you want to live in a polyamorous, affordable eco-commune when you could live the nuclear family dream in a heavily mortgaged apartment? Why would you want a job that feels meaningful when you could have a job that is a bit evil but well paid? Why would you want to give your money to help starving children in Gaza when you could buy a labubu for your bag?

This time in WTFIGO, we are going to talk about why our wants and needs don’t seem to be being met in this world of ours by looking at two theories of desire: The psychoanalytic concept of desire as the result of an unfulfillable lack (ripe for consumerist exploitation), and Deleuze and Guattari’s idea that desire is a relentlessly productive force (that might spill into schizophrenia). With these, it should be a little easier for us to know what we need to do to figure out what the fuck is going on, and why we want to know.

Bring your own worries along, and a pen and pad, and together we’ll take a little step closer to figuring out what the fuck is going on?

The workshop will be facilitated by Macon Holt, a cultural theorist and writer and the founder of Aesthetic Theory.

₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎

Escribir puede ser una herramienta para afilar la mirada, la forma en la que vemos y pensamos la vida es solo nuestra y escribirla, sacarla de adentro hacia afuera mediante el papel, es una forma de afirmarla. 

Trabajamos en grupos a partir de los materiales de cada uno. 

Para cada encuentro hay una lectura que se comparte previamente y se comenta en clase, y una consigna para aquellos que necesiten un empujón para seguir escribiendo.  Creo en el taller de escritura como un espacio de concepción de los libros que me gustan. Un espacio abierto para avanzar de la mano y seguir, no tan solo.

La idea de este taller es encontrar la voz de cada uno, explorar algunos textos que nos inspiran a escribir y pensar la literatura, armar un espacio de contención para trabajar nuestros proyectos literarios y poder avanzar con ellos, realizar algunas consignas y afilar el ojo de la escritura juntos. Compartir literatura y armar una pequeña comunidad para pensarla durante los meses que siguen. 

Vamos a leer textos tanto teóricos como narrativos, aprender a leernos entre todos y pensar la literatura en conjunto, alimentándonos de poesía,  y compartiendo la intimidad de una lectura. 

Writing can be a tool to sharpen the way we see and think about life. Our perspective is uniquely ours, and writing it down—bringing it from the inside out onto paper—is a way of affirming it.

We work in groups, starting from each person’s own materials.
For every session, there’s a reading that is shared beforehand and discussed in class, plus a prompt for those who might need a little push to keep writing. 

I see the writing workshop as the place where the books I love begin to take shape.

The idea of the workshop is to find each one’s voice, to explore some texts that inspire us to write and to think about literature, to create a supportive space where we can work on our literary projects and move forward with them, to try out some prompts, and to sharpen our literary eye together.

We will read both theoretical and narrative texts, learn to read and reflect together, think about literature collectively, nourish ourselves with poetry, and share the intimacy of reading.

every Tuesday from 18:00

starts on Tuesday, September 2nd

price per month 800,-

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

Once scorned and celebrated, Tarot faced criticism and admiration alike. From being condemned as a dark tool to being hailed as a mysterious revelation, it endured persecution and adoration. Eliphas Levi, French writer, and the author of "Transcendental Magic," when asked which book he would take to prison, declared that it would’ve been a Tarot deck. In Tarot, he believed, lie all the keys to understanding the laws and principles of the universe, and within its cards, one finds stories unmatched by any writer's imagination.

Every time I lay out the Tarot cards, I am amazed by the accuracy of their symbolism. They serve as a starting point for profound discussions about all life’s aspects- beauty, limitations, fears, and anxieties inherent in our existence. These mysterious images inspire honest reflections, discoveries, and transformations.

In this workshop, I want to to share my knowledge and experience with you. Together we will explore the art of tarot reading with hands-on practice, decoding symbolical messages, and mastering tarot spreads. After this workshop, you will be know how to interpret tarot cards, use them as both the meditation or divination tool and learn what it takes to become fluent in Tarot symbolic language.  - Wiola

No prior tarot knowledge required.

The workshop includes:

11.00 to 14:00 - three hours of learning, practicing, and networking.

a new tarot deck for you to take home 

coffee, tea and snacks

A read and write together: weekend writing hours (September 6th, 13th and 20th, 12-16) plus a sharing evening (Monday, September 22nd, 18:30-20:30)

Be in hyper-writing-focus on Saturday and on Monday share work-in-progress, read aloud, and get some feedback. You share a piece of writing and also share what kind of feedback you might be looking for, and you get: 

• An audience that is not your partner, roommate, siblings, or parents, - some fresh ears, who will listen, ears perked and hearts open 

• People who KNOW the vulnerability involved in this, they know the messy and the frustrations of work in progress who will give you some nudges and new ideas to explore!

• That vibe and space and the crowd that we’re often hungry for - where are the other writers in the neighborhood you might ask yourself? Maybe some of them will show up to this and you can meet them, who knows, it will be a fun surprise! 

It will be in English - All genres // all kinds of voices welcome! Multiple times published to never published to don’t care about being published - all welcome. This is for people who enjoy writing, who want to share, who are both willing to receive and provide encouragement, because we all need that these days. 

Come sit and write write write on a weekend morn with all of the creative juices flowing at a desk behind the bookshop alongside others who want to do the same. Tea/coffee will be provided. No facilitation here - just a desk, your writing, a friendly vibe - and some focus time to write dammit! No more excuses for me and you both. 

The ticket includes access to all four dates.

(the hope is to establish a little dynamic group that is keen on writing and sharing)

We have one free spot, please see below:

So, you want to know what the fuck is going on? But do you really need to know? And why on earth would you want that? It can sometimes seem like the world is telling us to want the wrong things. Things we don’t need. And, at the same time, the world tells us that the things we want are wrong. Why would you want to live in a polyamorous, affordable eco-commune when you could live the nuclear family dream in a heavily mortgaged apartment? Why would you want a job that feels meaningful when you could have a job that is a bit evil but well paid? Why would you want to give your money to help starving children in Gaza when you could buy a labubu for your bag?

This time in WTFIGO, we are going to talk about why our wants and needs don’t seem to be being met in this world of ours by looking at two theories of desire: The psychoanalytic concept of desire as the result of an unfulfillable lack (ripe for consumerist exploitation), and Deleuze and Guattari’s idea that desire is a relentlessly productive force (that might spill into schizophrenia). With these, it should be a little easier for us to know what we need to do to figure out what the fuck is going on, and why we want to know.

Bring your own worries along, and a pen and pad, and together we’ll take a little step closer to figuring out what the fuck is going on?

The workshop will be facilitated by Macon Holt, a cultural theorist and writer and the founder of Aesthetic Theory.

₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎₍ᐢ. .ᐢ₎

(in case it gets sold out too fast we might add another workshop on Thursday, September 11th, 18:15-20:15)

Escribir puede ser una herramienta para afilar la mirada, la forma en la que vemos y pensamos la vida es solo nuestra y escribirla, sacarla de adentro hacia afuera mediante el papel, es una forma de afirmarla. 

Trabajamos en grupos a partir de los materiales de cada uno. 

Para cada encuentro hay una lectura que se comparte previamente y se comenta en clase, y una consigna para aquellos que necesiten un empujón para seguir escribiendo.  Creo en el taller de escritura como un espacio de concepción de los libros que me gustan. Un espacio abierto para avanzar de la mano y seguir, no tan solo.

La idea de este taller es encontrar la voz de cada uno, explorar algunos textos que nos inspiran a escribir y pensar la literatura, armar un espacio de contención para trabajar nuestros proyectos literarios y poder avanzar con ellos, realizar algunas consignas y afilar el ojo de la escritura juntos. Compartir literatura y armar una pequeña comunidad para pensarla durante los meses que siguen. 

Vamos a leer textos tanto teóricos como narrativos, aprender a leernos entre todos y pensar la literatura en conjunto, alimentándonos de poesía,  y compartiendo la intimidad de una lectura. 

Writing can be a tool to sharpen the way we see and think about life. Our perspective is uniquely ours, and writing it down—bringing it from the inside out onto paper—is a way of affirming it.

We work in groups, starting from each person’s own materials.
For every session, there’s a reading that is shared beforehand and discussed in class, plus a prompt for those who might need a little push to keep writing. 

I see the writing workshop as the place where the books I love begin to take shape.

The idea of the workshop is to find each one’s voice, to explore some texts that inspire us to write and to think about literature, to create a supportive space where we can work on our literary projects and move forward with them, to try out some prompts, and to sharpen our literary eye together.

We will read both theoretical and narrative texts, learn to read and reflect together, think about literature collectively, nourish ourselves with poetry, and share the intimacy of reading.

every Tuesday from 18:00

starts on Tuesday, September 2nd

price per month 800,-

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

Since its original publication in Danish, Emma Holten’s Deficit: How Feminist Economics Can Change Our World has become an international bestseller and been translated into more than 10 languages. The book is a powerful introduction to feminist economics (which is what you call economics when it actually acts like a body of knowledge that corresponds to reality) and the chronic neglect of care in capitalist societies.

In conversation with the book’s English language translator, Sherilyn Nicolette Hellberg, and the cultural critic, Macon Holt, Emma will unfold some of the important ideas, perspectives and struggles from her book and reflect on how these ideas travel and make an impact in translation.

Emma Holten is a feminist activist and gender policy consultant. In 2014, she created the project CONSENT, raising awareness of digital sexual violence. Since 2019, she has worked with feminist economics. She served on the European Institute of Gender Equality Experts Forum as an expert in feminist economics and on Human Rights Watch’s advisory committee on Women’s Rights. In 2023, she was appointed as advisor to the Danish government’s investigation of power in Denmark.

Sherilyn Nicolette Hellberg is a writer and literary translator based in Copenhagen. Her work has appeared in the New Yorker and the Paris Review, among other places, and her translation of Jonas Eika’s After the Sun from the Danish was longlisted for the 2022 International Booker Prize. She holds a PhD in Comparative Literature from the University of California, Berkeley.

Macon Holt is a writer, critic, teacher and cultural theorist. He is the author of Pop Music and Hip Ennui: A Sonic Fiction of Capitalist Realism. He has a PhD in Cultural Studies from Goldsmiths, University of London and runs the coaching and advisory service Aesthetic Theory.

Copies of Deficit: How Feminist Economics Can Change Our World will be available for purchase and signing.

Fuss fee: 50kr

Join us for the Riso intro workshop!

After a long summer break, the Riso intro workshop is finally back!

During this workshop, you'll dive into the basics of riso printing, learning everything from how the machine works to how to prepare files and separate layers. Whether you already have designs in mind or are still sketching ideas, feel free to bring your laptop, iPad, or sketch on paper. No prior experience is needed!

By the end of the workshop, you'll take home 5 copies of an A3 print with 2-3 colours.

To ensure everyone has enough time to set up and print. We'll host a maximum of 6 participants in each workshop.

The workshop runs for 4.5 hours, including a 0.5-hour break. We'll keep you fuelled with coffee, tea, and snacks :) 

This workshop will be taught in English.

Summer Writing Club (in English) is back - this time with a focus on Short Stories!

If you’re around in August, join! Make August 2025 Wednesdays the days when you finished that thing - maybe a short story, maybe an essay, but the output will be something short and ‘shareable’ and ‘done done’ because don’t we all crave that feeling. How you/we share it verbally or textually will be TBD.

It will be 7:30-9pm every Wednesday in August (we’ll end 9pm officially, 9:30pm unofficially)

What can you expect? 

• Small creative exercises / warm ups to get our creative juices going

• Quirky prompts! To get us to write and share back  

• Some delicious time to work on a piece that you want to finish by the end of the month because you want to submit, or read aloud in an open mic, or see the story printed in a zine, or feel that indescribably quiet glory of having FINISHED a thing

This is PERFECT for those who would want a cute and supportive writing group and are chilling in Copenhagen this summer itching to get some writing done. 

Session 1: Wednesday August 6th // 7:30-9 (or 9:30)

Session 2: Wednesday August 13th //  7:30-9 (or 9:30)

Session 3: Wednesday August 20th //  7:30-9 (or 9:30)

Session 4: Wednesday August 27th //  7:30-9 (or 9:30)

four spots, price for the whole workshop: 600 dkk

We have one free spot, please see below: