Which of the senses do you use to communicate with nature? How can you describe trans-species companionships in your life? What nurtures you and how can you nurture others? 

These are some of the questions we will be asking one another with the help of Multispecies Reflection Cards developed by nxt and Copenhagen-based Nybrogade Press. Warmed up by these exchanges, we will read Shekufe Tadayoni Heiberg’s Plantae Sapiens (translated from the Danish by Hazel Evans and beautifully published by Guillemot Press, with Anupa Gardner's illustrations, in 2025) – a short story about a woman’s transformation into a tree.

hosted by Ruxy and Ela

Fuss fee, as always, 25,-

Curious about origami but never tried it before? Come explore how folding can inspire creativity, mindfulness, and more sustainable ways of thinking in everyday life.

About the Club

The club has a total of 4 sessions, 2 hours for each. Through four sessions, you will learn the fundamental language of origami, explore some helpful techniques, and learn to use tools, which make the folding process easier and more enjoyable. By the end of the club, you’ll gain the confidence to continue exploring origami on your own. 

What to expect?

Each session is structured to guide you from fundamentals to creative exploration. You will learn at least 3 origami folds per session, including basic tessellations or creature forms, progressing in complexity over time. You can combine your own folded pieces—transforming them into decorative objects, scenes or giving them entirely new purposes.

We place strong emphasis on basic folds—the key to unlocking creativity. Together, we’ll explore:

• How fundamental folds shape structure and pattern

• The fascinating spatial effects and optical illusions that emerge through folding

We’ll also open up discussions:

• What can each basic folds become?

• Can it turn into a container, a sculpture, a vase, a lantern or other functional object?

Origami x Recycle

In this club, we will also test with how origami can reuse materials and transform discarded materials into something meaningful again. Old paper—unused printed sheets, maps, posters, or scrap materials—can be folded into small objects with new purposes: decorations, containers, or miniature artworks. During the club, we’ll also use leftover risograph paper offered by theprinthouse. The dynamic colors and patterns make each fold unique. 

Come and enjoy, and discover how a simple sheet of paper can become something unexpectedly complex—and uniquely yours. The club does not require any prior experience to join. It is less about perfection and more about exploration and creativity, and everyone can follow at their own pace. 

Materials and tools are provided. 

Un espacio en el tiempo, dentro de una librería, disponible para la creación.
Vamos a trabajar temáticas de escritura como la mirada, la voz, los personajes y pensar nuestras lecturas. A partir de distintas consignas, el taller propone un espacio para probar, investigar y explorar formas posibles de escritura.

No es necesario saber nada de antemano. Lo único importante es hacerse el tiempo y el espacio para escribir, afinar el ojo, pensar la literatura y leernos entre todos, construyendo una mirada colectiva, abierta y en diálogo.

El taller de escritura es en español.

750 DKK por mes. Marzo y Abril. Requiere compromiso por dos meses.

‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-

A space in time, inside a bookstore, set aside for creation.
We will work on writing themes such as perspective, voice, characters, and thinking through our readings. Through different prompts, the workshop offers a space to try things out, investigate, and explore possible forms of writing.

No prior experience is necessary. The only important thing is to make the time and space to write, sharpen one’s eye, think about literature, and read one another, building a collective gaze that is open and in dialogue.

The workshop is run in Spanish by Majo Moirón,

750 DKK per month. March and April. Two-month commitment required.

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

last year we invited you to a reader’s-writer’s alone-togetherness, free flowing like some baby mountain water. basically a space for everyone who wants some reading-writing done. in a place that smells like books. 

BE WRITE BACK

12:00-15:00 - you can come whenever you want, stay however long you want, the room with desks is open, the bookstore is open, sit wherever you like, reading or writing, which is what you wanted to do anyway, but home-restlessness prevented you

15:00-16:00 writing social (self organized talks, exercises, games, presentations) ///// on the last sunday the final hour is for reading, sharing, feedback /////

weekdays during opening hours - experimental welcome for solo writing/reading

anyone in Be Write Back can come in during the open hours of the shop ///// we have a sign in sheet so you can see what’s the space availability on the day - it is an experimental feature so please be gentle as we’re trying it out.

the BRB April Pass includes access on four saturdays (4, 11, 18, 25), the possibility to come during weekly opening hours, coffeee and tea, sometimes snacks

get on your cute asses at SUPeR

no?

BE WRITE BACK, the monthly read and write together is an invite to build a shameless sharing writing community. We open up the workspace exclusively for writers (whatever form, whatever stage, whatever label you like to carry), and then see what happens. Join at your pace and do your thing. Ი︵𐑼

Come celebrate the second edition of Pomelila: a pseudo odyssey by NEUS CASANOVA VICO

It’s sour and palatable.

“Neus Casanova Vico is a time sprinter. Their ankle is sprained. They don’t know why they run. They heal, using stimulants. They try to vanish in consumer spaces. They scan psyches in passing at the grocery store. They dispense a mundane odyssey, rippled with caffeine jitters, and experience so many jump scares that turn out to be introverted alien interludes. Pomelila: it’s sour and palatable.”
-A. Carter

An evening of re-reading and re-thinking about depression (a symptom of all the unfulfilled promises of capitalism?), desire (¿un camino que se hace al andar?, an investigation?), and whether being a Spinozist is the easiest or the hardest thing in the world.

A joyful encounter on a Friday eve!

fuss fee includes one refreshment :)

Once scorned and celebrated, Tarot faced criticism and admiration alike. From being condemned as a dark tool to being hailed as a mysterious revelation, it endured persecution and adoration. Eliphas Levi, French writer, and the author of "Transcendental Magic," when asked which book he would take to prison, declared that it would’ve been a Tarot deck. In Tarot, he believed, lie all the keys to understanding the laws and principles of the universe, and within its cards, one finds stories unmatched by any writer's imagination.

Every time I lay out the Tarot cards, I am amazed by the accuracy of their symbolism. They serve as a starting point for profound discussions about all life’s aspects- beauty, limitations, fears, and anxieties inherent in our existence. These mysterious images inspire honest reflections, discoveries, and transformations.

In this workshop, I want to to share my knowledge and experience with you. Together we will explore the art of tarot reading with hands-on practice, decoding symbolical messages, and mastering tarot spreads. After this workshop, you will be know how to interpret tarot cards, use them as both the meditation or divination tool and learn what it takes to become fluent in Tarot symbolic language.  - Wioletta Blaut from Third Place

No prior tarot knowledge required.

The workshop includes:

two and a half hours of learning, practicing, and networking.

a new tarot deck for you to take home 

coffee, tea and snacks

We read and discuss texts on surveillance technology, platform capitalism, algorithmic control, and digital desire.

From CCTV to Instagram, from data extraction to self-branding, from the feed to the body.

We read and discuss texts on technology, ideas of progress, platform capitalism, algorithmic control, and digital desire. From CCTV to Instagram, from data extraction to self-branding, from the feed to the body.

This is not an academic seminar. We don’t explain everything.

We don’t optimize anything.

We mix contemporary theory, pop culture, screenshots, memes and lived experience.

We talk about brainrot, exposure, performance, visibility, shame, pleasure, control.

About how platforms shape the way we think, feel, desire, and narrate ourselves.

Each meeting combines reading, open discussion, movies, podcast, songs and collective practices such as short writings.

This space is for people who are tired of performing but still inside the system.

For artists, writers, thinkers, and over-online bodies.

For those who scroll too much and think too much.

We read. We unlearn. We make things.

FIRST CYCLE – THEY ARE WATCHING US (SURVEILLANCE CAPITALISM)

4 books, 4 months, theory fiction alternance

Theory: Michel Foucault, Discipline and Punish, Shoshana Zuboff, Surveillance Capitalism Fiction: Dave Eggers, The circle, Samantha Schweblin, Little Eyes

thx for the overwhelming interest, we will get in touch with those who signed-up for the intro session

Curious about origami but never tried it before? Come explore how folding can inspire creativity, mindfulness, and more sustainable ways of thinking in everyday life.

About the Club

The club has a total of 4 sessions, 2 hours for each. Through four sessions, you will learn the fundamental language of origami, explore some helpful techniques, and learn to use tools, which make the folding process easier and more enjoyable. By the end of the club, you’ll gain the confidence to continue exploring origami on your own. 

What to expect?

Each session is structured to guide you from fundamentals to creative exploration. You will learn at least 3 origami folds per session, including basic tessellations or creature forms, progressing in complexity over time. You can combine your own folded pieces—transforming them into decorative objects, scenes or giving them entirely new purposes.

We place strong emphasis on basic folds—the key to unlocking creativity. Together, we’ll explore:

• How fundamental folds shape structure and pattern

• The fascinating spatial effects and optical illusions that emerge through folding

We’ll also open up discussions:

• What can each basic folds become?

• Can it turn into a container, a sculpture, a vase, a lantern or other functional object?

Origami x Recycle

In this club, we will also test with how origami can reuse materials and transform discarded materials into something meaningful again. Old paper—unused printed sheets, maps, posters, or scrap materials—can be folded into small objects with new purposes: decorations, containers, or miniature artworks. During the club, we’ll also use leftover risograph paper offered by theprinthouse. The dynamic colors and patterns make each fold unique. 

Come and enjoy, and discover how a simple sheet of paper can become something unexpectedly complex—and uniquely yours. The club does not require any prior experience to join. It is less about perfection and more about exploration and creativity, and everyone can follow at their own pace. 

Materials and tools are provided. 

Un espacio en el tiempo, dentro de una librería, disponible para la creación.
Vamos a trabajar temáticas de escritura como la mirada, la voz, los personajes y pensar nuestras lecturas. A partir de distintas consignas, el taller propone un espacio para probar, investigar y explorar formas posibles de escritura.

No es necesario saber nada de antemano. Lo único importante es hacerse el tiempo y el espacio para escribir, afinar el ojo, pensar la literatura y leernos entre todos, construyendo una mirada colectiva, abierta y en diálogo.

El taller de escritura es en español.

750 DKK por mes. Marzo y Abril. Requiere compromiso por dos meses.

‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-

A space in time, inside a bookstore, set aside for creation.
We will work on writing themes such as perspective, voice, characters, and thinking through our readings. Through different prompts, the workshop offers a space to try things out, investigate, and explore possible forms of writing.

No prior experience is necessary. The only important thing is to make the time and space to write, sharpen one’s eye, think about literature, and read one another, building a collective gaze that is open and in dialogue.

The workshop is run in Spanish by Majo Moirón,

750 DKK per month. March and April. Two-month commitment required.

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

last year we invited you to a reader’s-writer’s alone-togetherness, free flowing like some baby mountain water. basically a space for everyone who wants some reading-writing done. in a place that smells like books. 

BE WRITE BACK

12:00-15:00 - you can come whenever you want, stay however long you want, the room with desks is open, the bookstore is open, sit wherever you like, reading or writing, which is what you wanted to do anyway, but home-restlessness prevented you

15:00-16:00 writing social (self organized talks, exercises, games, presentations) ///// on the last sunday the final hour is for reading, sharing, feedback /////

weekdays during opening hours - experimental welcome for solo writing/reading

anyone in Be Write Back can come in during the open hours of the shop ///// we have a sign in sheet so you can see what’s the space availability on the day - it is an experimental feature so please be gentle as we’re trying it out.

the BRB April Pass includes access on four saturdays (4, 11, 18, 25), the possibility to come during weekly opening hours, coffeee and tea, sometimes snacks

get on your cute asses at SUPeR

no?

BE WRITE BACK, the monthly read and write together is an invite to build a shameless sharing writing community. We open up the workspace exclusively for writers (whatever form, whatever stage, whatever label you like to carry), and then see what happens. Join at your pace and do your thing. Ი︵𐑼

Un espacio en el tiempo, dentro de una librería, disponible para la creación.
Vamos a trabajar temáticas de escritura como la mirada, la voz, los personajes y pensar nuestras lecturas. A partir de distintas consignas, el taller propone un espacio para probar, investigar y explorar formas posibles de escritura.

No es necesario saber nada de antemano. Lo único importante es hacerse el tiempo y el espacio para escribir, afinar el ojo, pensar la literatura y leernos entre todos, construyendo una mirada colectiva, abierta y en diálogo.

El taller de escritura es en español.

750 DKK por mes. Marzo y Abril. Requiere compromiso por dos meses.

‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-

A space in time, inside a bookstore, set aside for creation.
We will work on writing themes such as perspective, voice, characters, and thinking through our readings. Through different prompts, the workshop offers a space to try things out, investigate, and explore possible forms of writing.

No prior experience is necessary. The only important thing is to make the time and space to write, sharpen one’s eye, think about literature, and read one another, building a collective gaze that is open and in dialogue.

The workshop is run in Spanish by Majo Moirón,

750 DKK per month. March and April. Two-month commitment required.

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

last year we invited you to a reader’s-writer’s alone-togetherness, free flowing like some baby mountain water. basically a space for everyone who wants some reading-writing done. in a place that smells like books. 

BE WRITE BACK

12:00-15:00 - you can come whenever you want, stay however long you want, the room with desks is open, the bookstore is open, sit wherever you like, reading or writing, which is what you wanted to do anyway, but home-restlessness prevented you

15:00-16:00 writing social (self organized talks, exercises, games, presentations) ///// on the last sunday the final hour is for reading, sharing, feedback /////

weekdays during opening hours - experimental welcome for solo writing/reading

anyone in Be Write Back can come in during the open hours of the shop ///// we have a sign in sheet so you can see what’s the space availability on the day - it is an experimental feature so please be gentle as we’re trying it out.

the BRB April Pass includes access on four saturdays (4, 11, 18, 25), the possibility to come during weekly opening hours, coffeee and tea, sometimes snacks

get on your cute asses at SUPeR

no?

BE WRITE BACK, the monthly read and write together is an invite to build a shameless sharing writing community. We open up the workspace exclusively for writers (whatever form, whatever stage, whatever label you like to carry), and then see what happens. Join at your pace and do your thing. Ი︵𐑼

Un espacio en el tiempo, dentro de una librería, disponible para la creación.
Vamos a trabajar temáticas de escritura como la mirada, la voz, los personajes y pensar nuestras lecturas. A partir de distintas consignas, el taller propone un espacio para probar, investigar y explorar formas posibles de escritura.

No es necesario saber nada de antemano. Lo único importante es hacerse el tiempo y el espacio para escribir, afinar el ojo, pensar la literatura y leernos entre todos, construyendo una mirada colectiva, abierta y en diálogo.

El taller de escritura es en español.

750 DKK por mes. Marzo y Abril. Requiere compromiso por dos meses.

‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-

A space in time, inside a bookstore, set aside for creation.
We will work on writing themes such as perspective, voice, characters, and thinking through our readings. Through different prompts, the workshop offers a space to try things out, investigate, and explore possible forms of writing.

No prior experience is necessary. The only important thing is to make the time and space to write, sharpen one’s eye, think about literature, and read one another, building a collective gaze that is open and in dialogue.

The workshop is run in Spanish by Majo Moirón,

750 DKK per month. March and April. Two-month commitment required.

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

The accidental finding of treasure

March 8th honors women worldwide and, in Romania, it is also a celebration of mothers.

During this 3-hour art experience, you and the children in your life are invited to come together and explore the creative process of drawing memories you share. The workshop is a gentle space to explore love, connection, and all kids of emotions, where creativity is encouraged through chance, intuition, and playful experimentation.

Working with oil pastels, coloured pencils, charcoal, and graphite, you’ll learn the essentials of each medium while creating a personal artwork. Participants are invited to send a meaningful photo in advance—which Oana can use to prepare an optional custom outline—but you are free to follow your instinctual nature and innder creative world.

All experience levels are welcome, children 2+, and all materials are provided. Warm drinks and snacks will complete this cozy, reflective celebration of memory and love.

Oana Tudose (b. 1987, Romania) is a visual artist and designer working with textiles, drawing and often poetry to explore themes of vulnerability, care, and intergenerational memory. Her work reflects on intimacy, human connection, and ecological awareness, creating spaces for reflection and embodied presence.

adults 600,- // kids free (with an adult) // adult + 2 kids 800,-

Ask a question or reserve your spot (via email below):

Once scorned and celebrated, Tarot faced criticism and admiration alike. From being condemned as a dark tool to being hailed as a mysterious revelation, it endured persecution and adoration. Eliphas Levi, French writer, and the author of "Transcendental Magic," when asked which book he would take to prison, declared that it would’ve been a Tarot deck. In Tarot, he believed, lie all the keys to understanding the laws and principles of the universe, and within its cards, one finds stories unmatched by any writer's imagination.

Every time I lay out the Tarot cards, I am amazed by the accuracy of their symbolism. They serve as a starting point for profound discussions about all life’s aspects- beauty, limitations, fears, and anxieties inherent in our existence. These mysterious images inspire honest reflections, discoveries, and transformations.

In this workshop, I want to to share my knowledge and experience with you. Together we will explore the art of tarot reading with hands-on practice, decoding symbolical messages, and mastering tarot spreads. After this workshop, you will be know how to interpret tarot cards, use them as both the meditation or divination tool and learn what it takes to become fluent in Tarot symbolic language.  - Wioletta Blaut from Third Place

No prior tarot knowledge required.

The workshop includes:

two and a half hours of learning, practicing, and networking.

a new tarot deck for you to take home 

coffee, tea and snacks

Un espacio en el tiempo, dentro de una librería, disponible para la creación.
Vamos a trabajar temáticas de escritura como la mirada, la voz, los personajes y pensar nuestras lecturas. A partir de distintas consignas, el taller propone un espacio para probar, investigar y explorar formas posibles de escritura.

No es necesario saber nada de antemano. Lo único importante es hacerse el tiempo y el espacio para escribir, afinar el ojo, pensar la literatura y leernos entre todos, construyendo una mirada colectiva, abierta y en diálogo.

El taller de escritura es en español.

750 DKK por mes. Marzo y Abril. Requiere compromiso por dos meses.

‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-

A space in time, inside a bookstore, set aside for creation.
We will work on writing themes such as perspective, voice, characters, and thinking through our readings. Through different prompts, the workshop offers a space to try things out, investigate, and explore possible forms of writing.

No prior experience is necessary. The only important thing is to make the time and space to write, sharpen one’s eye, think about literature, and read one another, building a collective gaze that is open and in dialogue.

The workshop is run in Spanish by Majo Moirón,

750 DKK per month. March and April. Two-month commitment required.

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

last year we invited you to a reader’s-writer’s alone-togetherness, free flowing like some baby mountain water. basically a space for everyone who wants some reading-writing done. in a place that smells like books. 

BE WRITE BACK

12:00-15:00 - you can come whenever you want, stay however long you want, the room with desks is open, the bookstore is open, sit wherever you like, reading or writing, which is what you wanted to do anyway, but home-restlessness prevented you

15:00-16:00 writing social (self organized talks, exercises, games, presentations) ///// on the last sunday the final hour is for reading, sharing, feedback /////

weekdays during opening hours - experimental welcome for solo writing/reading

anyone in Be Write Back can come in during the open hours of the shop ///// we have a sign in sheet so you can see what’s the space availability on the day - it is an experimental feature so please be gentle as we’re trying it out.

the BRB March Pass includes access on four sundays (1, 8, 15, 22), the possibility to come during weekly opening hours, coffeee and tea, sometimes snacks

get on your cute asses at SUPeR

no?

BE WRITE BACK, the monthly read and write together is an invite to build a shameless sharing writing community. We open up the workspace exclusively for writers (whatever form, whatever stage, whatever label you like to carry), and then see what happens. Join at your pace and do your thing. Ი︵𐑼

Join us for the monthly (!!) Riso intro workshop at SUPeR on Saturday, February 21st from 10:30-15:00

During this workshop, you'll dive into the basics of riso printing, learning everything from how the machine works to how to prepare files and separate layers. Whether you already have designs in mind or are still sketching ideas, feel free to bring your laptop, iPad, or sketch on paper. No prior experience is needed!

By the end of the workshop, you'll take home 5 copies of an A3 print with 2-3 colours.

To ensure everyone has enough time to set up and print. We'll host a maximum of 6 participants in each workshop.

The workshop runs for 4.5 hours, including a 0.5-hour break. We'll keep you fuelled with coffee, tea, and snacks :) 

This workshop will be taught in English.

----------

If you want to cancel or change your ticket, please write to us: info@theprinthouse.dk

check out the terms of service

Satellite Cartography

guest speaker: Sofie Kay Hulgaard

What will we see when we look at the night sky in the future? As satellite launches increase, Earth’s orbit is becoming more saturated, making stars harder to see. This form of light pollution has consequences far beyond visual loss: it affects ecosystems, disorients animals, intensifies resource extraction, and risks erasing cultural connection to the stars built through constellations and storytelling.

We will read A Satellite Map of 2040, a soft sci-fi attempt to map the future sky. We will also create our own satellites through writing invitations, reflecting on possible futures of orbit, light, and loss.

Sofie Kay Hulgaard is a master’s student in anthropology and an avid reader of fiction.

Fuss fee, as always, 25,-

Un espacio en el tiempo, dentro de una librería, disponible para la creación.
Vamos a trabajar temáticas de escritura como la mirada, la voz, los personajes y pensar nuestras lecturas. A partir de distintas consignas, el taller propone un espacio para probar, investigar y explorar formas posibles de escritura.

No es necesario saber nada de antemano. Lo único importante es hacerse el tiempo y el espacio para escribir, afinar el ojo, pensar la literatura y leernos entre todos, construyendo una mirada colectiva, abierta y en diálogo.

El taller de escritura es en español.

750 DKK por mes. Marzo y Abril. Requiere compromiso por dos meses.

‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-

A space in time, inside a bookstore, set aside for creation.
We will work on writing themes such as perspective, voice, characters, and thinking through our readings. Through different prompts, the workshop offers a space to try things out, investigate, and explore possible forms of writing.

No prior experience is necessary. The only important thing is to make the time and space to write, sharpen one’s eye, think about literature, and read one another, building a collective gaze that is open and in dialogue.

The workshop is run in Spanish by Majo Moirón,

750 DKK per month. March and April. Two-month commitment required.

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

last year we invited you to a reader’s-writer’s alone-togetherness, free flowing like some baby mountain water. basically a space for everyone who wants some reading-writing done. in a place that smells like books. 

BE WRITE BACK

4 sundays - cemented and confirmed!

12:00-15:00 - you can come whenever you want, stay however long you want, the room with desks is open, the bookstore is open, sit wherever you like, reading or writing, which is what you wanted to do anyway, but home-restlessness prevented you

15:00-16:00 writing social (self organized talks, exercises, games, presentations) ///// on the last sunday the final hour is for reading, sharing, feedback /////

weekdays during opening hours - experimental welcome for solo writing/reading

anyone in Be Write Back can come in during the open hours of the shop ///// we have a sign in sheet so you can see what’s the space availability on the day - it is an experimental feature so please be gentle as we’re trying it out.

the BRB February Pass includes access on four sundays (1, 8, 15, 22), the possibility to come during weekly opening hours, coffeee and tea, sometimes snacks

get on your cute asses at SUPeR

no?

BE WRITE BACK, the monthly read and write together is an invite to build a shameless sharing writing community. We open up the workspace exclusively for writers (whatever form, whatever stage, whatever label you like to carry), and then see what happens. Join at your pace and do your thing. Ი︵𐑼

Experience a 45-minute live, unscripted performance where dance drives the action, moving seamlessly between physicality, storytelling, and humor. Subjects range from bus timetables and salt to guilt, existential questions, and the passing of time.

Every show is carefully practiced but improvised, creating a space of shared attention, risk, and play between performer and audience.

After the performance, participants are invited to join a discussion where we reflect on the experience, explore the ideas that arose, and consider the process of improvisation and movement in live performance.

This is an intimate and playful event, perfect for those curious about experimental dance, theatre, and participatory performance.

════════ ════════ ════════ ════════ ════════ ════════ ════════ ════════ ════════

Lewys Holt is a UK-based performance artist who creates experimental, improvisation-led works that fuse dance and text. Their work has been presented internationally and is known for balancing humor, reflection, and embodied curiosity. They have worked as a performer for artists such as Tino Sehgal and Marina Abramovic.

Experience a 45-minute live, unscripted performance where dance drives the action, moving seamlessly between physicality, storytelling, and humor. Subjects range from bus timetables and salt to guilt, existential questions, and the passing of time.

Every show is carefully practiced but improvised, creating a space of shared attention, risk, and play between performer and audience.

After the performance, participants are invited to join a discussion where we reflect on the experience, explore the ideas that arose, and consider the process of improvisation and movement in live performance.

This is an intimate and playful event, perfect for those curious about experimental dance, theatre, and participatory performance.

════════ ════════ ════════ ════════ ════════ ════════ ════════ ════════ ════════

Lewys Holt is a UK-based performance artist who creates experimental, improvisation-led works that fuse dance and text. Their work has been presented internationally and is known for balancing humor, reflection, and embodied curiosity. They have worked as a performer for artists such as Tino Sehgal and Marina Abramovic.

Un espacio en el tiempo, dentro de una librería, disponible para la creación.
Vamos a trabajar temáticas de escritura como la mirada, la voz, los personajes y pensar nuestras lecturas. A partir de distintas consignas, el taller propone un espacio para probar, investigar y explorar formas posibles de escritura.

No es necesario saber nada de antemano. Lo único importante es hacerse el tiempo y el espacio para escribir, afinar el ojo, pensar la literatura y leernos entre todos, construyendo una mirada colectiva, abierta y en diálogo.

El taller de escritura es en español.

750 DKK por mes. Marzo y Abril. Requiere compromiso por dos meses.

‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-

A space in time, inside a bookstore, set aside for creation.
We will work on writing themes such as perspective, voice, characters, and thinking through our readings. Through different prompts, the workshop offers a space to try things out, investigate, and explore possible forms of writing.

No prior experience is necessary. The only important thing is to make the time and space to write, sharpen one’s eye, think about literature, and read one another, building a collective gaze that is open and in dialogue.

The workshop is run in Spanish by Majo Moirón,

750 DKK per month. March and April. Two-month commitment required.

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

a year ago we invited you to a reader’s-writer’s alone-togetherness, free flowing like some baby mountain water. basically a space for everyone who wants some reading-writing done. in a place that smells like books. 

BE WRITE BACK

4 sundays - cemented and confirmed!

12:00-15:00 - you can come whenever you want, stay however long you want, the room with desks is open, the bookstore is open, sit wherever you like, reading or writing, which is what you wanted to do anyway, but home-restlessness prevented you

15:00-16:00 writing social (self organized talks, exercises, games, presentations) ///// on the last sunday the final hour is for reading, sharing, feedback /////

weekdays during opening hours - experimental welcome for solo writing/reading

anyone in Be Write Back can come in during the open hours of the shop ///// we have a sign in sheet so you can see what’s the space availability on the day - it is an experimental feature so please be gentle as we’re trying it out.

the BRB March Pass includes access on four sundays (1, 8, 15, 22), the possibility to come during weekly opening hours, coffeee and tea, sometimes snacks

get on your cute asses at SUPeR

no?

BE WRITE BACK, the monthly read and write together is an invite to build a shameless sharing writing community. We open up the workspace exclusively for writers (whatever form, whatever stage, whatever label you like to carry), and then see what happens. Join at your pace and do your thing. Ი︵𐑼

What stories about yourself do you keep returning to?
Which ones feel tired, and which ones are still becoming?

This is a soft little futures workshop to untangle the scripts that keep us stuck, imagine otherwise, and try on different futures.
No big group work. No fixing.
Just solo time to imagine something new.
We’ll write, breathe, maybe draw, or just sit with the worms.

You’ll be guided through a few quiet experiments:
✶ noticing the narratives that shape you now
✶ imagining your future self in new, beautiful possibilities
✶ creating a small literary artefact for what’s emerging: a poem, letter, mantra, or fragment from that future

Think: speculative self-inquiry meets quiet future-making.
Just a tiny opening, with tea.

You don’t have to share anything out loud.
You don’t need any previous writing or futures experience.
Just bring a pen, a story you’re tired of, and whatever shape your heart is in that day.

The workshop is hosted by Bianca Muresan, a futures designer and facilitator interested in the spaces where imagination meets reflection meets care.

Come hang out for a cozy 2-hour origami session where we’ll transform simple paper into beautiful handmade wind chimes.

This beginner-friendly workshop is all about slowing down, folding with intention, and enjoying the quiet magic of paper craft!

All materials are provided + coffee and snacks :)

P.S. we’re setting the stage for a paper-folding-club for the next few months!

We read and discuss texts on surveillance technology, platform capitalism, algorithmic control, and digital desire.

From CCTV to Instagram, from data extraction to self-branding, from the feed to the body.

We read and discuss texts on technology, ideas of progress, platform capitalism, algorithmic control, and digital desire. From CCTV to Instagram, from data extraction to self-branding, from the feed to the body.

This is not an academic seminar. We don’t explain everything.

We don’t optimize anything.

We mix contemporary theory, pop culture, screenshots, memes and lived experience.

We talk about brainrot, exposure, performance, visibility, shame, pleasure, control.

About how platforms shape the way we think, feel, desire, and narrate ourselves.

Each meeting combines reading, open discussion, movies, podcast, songs and collective practices such as short writings.

This space is for people who are tired of performing but still inside the system.

For artists, writers, thinkers, and over-online bodies.

For those who scroll too much and think too much.

We read. We unlearn. We make things.

FIRST CYCLE – THEY ARE WATCHING US (SURVEILLANCE CAPITALISM)

4 books, 4 months, theory fiction alternance

Theory: Michel Foucault, Discipline and Punish, Shoshana Zuboff, Surveillance Capitalism Fiction: Dave Eggers, The circle, Samantha Schweblin, Little Eyes

thx for the overwhelming interest, we will get in touch with those who signed-up for the intro session

Un espacio en el tiempo, dentro de una librería, disponible para la creación.
Vamos a trabajar temáticas de escritura como la mirada, la voz, los personajes y pensar nuestras lecturas. A partir de distintas consignas, el taller propone un espacio para probar, investigar y explorar formas posibles de escritura.

No es necesario saber nada de antemano. Lo único importante es hacerse el tiempo y el espacio para escribir, afinar el ojo, pensar la literatura y leernos entre todos, construyendo una mirada colectiva, abierta y en diálogo.

El taller de escritura es en español.

750 DKK por mes. Marzo y Abril. Requiere compromiso por dos meses.

‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-‘-*-’-

A space in time, inside a bookstore, set aside for creation.
We will work on writing themes such as perspective, voice, characters, and thinking through our readings. Through different prompts, the workshop offers a space to try things out, investigate, and explore possible forms of writing.

No prior experience is necessary. The only important thing is to make the time and space to write, sharpen one’s eye, think about literature, and read one another, building a collective gaze that is open and in dialogue.

The workshop is run in Spanish by Majo Moirón,

750 DKK per month. March and April. Two-month commitment required.

==== paid monthly ⊂ᵔᴥᵔ⊃ ===

Majo Moirón (1985) es escritora y guionista. Estudió cine en la Fundación Universidad del Cine. Publicó Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) y La lengua rota (Penguin Random House, 2024)

Majo Moirón (1985) is a writer and screenwriter. She studied in the Fundación Universidad del Cine in Buenos Aires, Argentina. She published Lobo rojo (Blatt & Ríos, 2013), Los lugares equivocados (Rosa Iceberg, 2020) and La lengua rota (Penguin Random House, 2024)

a year ago we invited you to a reader’s-writer’s alone-togetherness, free flowing like some baby mountain water. basically a space for everyone who wants some reading-writing done. in a place that smells like books. 

First hour of the first sunday — FREE — check it out to see if it’s for you

BE WRITE BACK

4 sundays - cemented and confirmed!

12:00-15:00 - you can come whenever you want, stay however long you want, the room with desks is open, the bookstore is open, sit wherever you like, reading or writing, which is what you wanted to do anyway, but home-restlessness prevented you

15:00-16:00 writing social (self organized talks, exercises, games, presentations) ///// on the last sunday the final hour is for reading, sharing, feedback /////

weekdays during opening hours - experimental welcome for solo writing/reading

anyone in Be Write Back can come in during the open hours of the shop ///// we have a sign in sheet so you can see what’s the space availability on the day - it is an experimental feature so please be gentle as we’re trying it out.

the BRB March Pass includes access on four sundays (1, 8, 15, 22) the possibility to come during weekly opening hours, coffeee and tea, sometimes snacks

get on your cute asses at SUPeR

no?

BE WRITE BACK, the monthly read and write together is an invite to build a shameless sharing writing community. We open up the workspace exclusively for writers (whatever form, whatever stage, whatever label you like to carry), and then see what happens. Join at your pace and do your thing. Ი︵𐑼